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Like the international avant-garde, rock-and-roll is the creative product of a rebellious youth culture trying to reach a mass audience. Its artists embrace technological innovation. Their lives and personal styles are often counterculture. Many rock groups have appropriated creative strategies of modern art history: Some stage acts can be seen as Neo-Dada performance, others have lifted ideas from the Surrealists, the Situationists, and other art groups. Although pop music has its individual stars like Elvis and Madonna, most rock musicians, like the international avant-garde, work collaboratively, in bands. But however much a rock-and-roll group may initially appeal to a specific youth subculture, its potential for vast global audiences is different from that of fine art, which remains within the arcane reaches of high culture.
—Mary Anne Staniszewski, U. S. art critic, educator. Believing Is Seeing: Creating the Culture of Art, ch. 10, Penguin (1995)

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Can we love our children when they are homely, awkward, unkempt, flaunting the styles and friendships we don’t approve of, when they fail to be the best, the brightest, the most accomplished at school or even at home? Can we be there when their world has fallen apart and only we can restore their faith and confidence in life?
—Neil Kurshan (20th century)